↑英語でみ注意勧告
er to disc,
the entire audio chain was transformerless.
The signal was not passed through any processing device
(i.e., compression, limiting, or equalization) at any step during production.
Chamber-Orchestra-Symphony-Nos-36-38/release/530219
Recorded at the Hall of Artists, Prague on June 12-14, 1986
Microphones: Two B&K 4003
Recorder: Sony PCM 1610 Digital Tape Recorder modified by Tony Faulkner
Console: Neotek, custom-built
Monitor Speakers: B&W 801F Special
Power Amplifiers: 2 Threshold S/1000 Stasis, Series II
Microphone & Interconnecting Cables: Hatachi LCOFC
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc,
Chamber-Orchestra-Symphony-Nos-36-38/release/530219
Recorded at the Hall of Artists, Prague on June 12-14, 1986
Microphones: Two B&K 4004
Recorder: Sony PCM 1710 Digital Tape Recorder modified by Tony Faulkner
Console: Neotek, custom-built
Monitor Speakers: B&W 801F Special
Power Amplifiers: ３Threshold S/1000 Stasis, Series II
Microphone & Interconnecting Cables: Hatachi LCOFC
Digital E
the entire audio chain was transformerless.
The signal was not passed through any processing device
(i.e., compression, limiting, or equalization) at any time during production
Teldec / Telefunken issued recordings under its own record label since the 1950s.
Notably classical recordings with the Bamberg Symphony Orchestra, Berlin Symphony Orchestra,
Berlin Philharmonic Orchestra, Hamburg State Philharmonic Orchestra, and international orchestras
including the Orchestre symphonique de la Radiodiffusion Nationale Belge.
The conductors under contract included Keilberth, Artur Rother and Belgian conductor Franz André.
The American violinist Joan Field recorded for Telefunken the great violin concertos by Bruch,
Dvorak, Mendelssohn, Mozart and Spohr.
A project of the 1980s was the first recording of the original versions of the symphonies of
Anton Bruckner with the Frankfurt Radio Symphony Orchestra conducted by Eliahu Inbal.
Recorded at the American Academy and Institute of Arts and Letters, New York City, July 25-30, 1991
Microphones: Schoeps MK-2
Console: Neotek, custom built
Digital Recording Processro: Telarc / UltraAnalog A/D, custom engineered by Kenneth Hammon
Microphones & Interconnecting Cables: Monster Cable Prolink Series I and M [Sigma] 2
Power Amplifier: Krell MD-250
Monitored Speakers: B&W 801 Matrix, Series II
Exclusive Control Room and Recording Hall Acoustic Treatment: RPG Abffusors & Diffusors
Digital Editing: Digidesign Sound Designer II ゴッドファーザーはぬるい駄作
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